» hung gar kuen «
Hung Gar is one of the main styles of kung fu to have emerged from Southern China. It is said that certain parts of the Hung Gar syllabus, which are still practiced today, have their origins directly from the famous Southern Shaolin temple. The techniques of the system are based on the movements of 5 animals (dragon, tiger, crane, snake and leopard) and it’s theories are based the 5 elements of Chinese philosophy (metal, wood, earth, water & fire). One form that has become synonymous with the Hung Gar system is named Fu Hok Seung Ying Kuen (Tiger and Crane Fist). In fact this form is so well known and respected that Hung Gar is sometimes referred to as Fu Hok Pai (school of tiger & crane).
Although being first and foremost a martial art, the benefits obtained from learning Hung Gar go far beyond just being able to defend yourself and loved ones. The traditional training includes conditioning & strengthening the body which has both health benefits as well as shaping the student mentally. Many famous old Hung Gar masters after a life time of training reach old age showing good health and vitality.
Hung gar practitioners are famous for their disciplined and hard training which over time will build up confidence within a person so that they can achieve anything or overcome any problem, as long as they are willing to work for it.
Even though the training is intensive, Hung Gar can still be accommodated to suit all ages and both male and female. Each student will train within his/her own capabilities and advance at a speed comfortable for them. The fact that many of the old masters train in Hung Gar and practice the entire curriculum well into their 90’s is testament to this.
Internal training (known as Qigong) is a very important part of Hung Gar and can be found in all of the main forms which are practiced. At the highest level one’s internal training reaches its peak with the form Tit Sin Kuen (iron thread fist). Tit Sin Kuen, incorporates both hard and soft power, and is famous for the health benefits that it gives to its practitioner, including longevity. In Ng Ga Hung Gar (Ng family Hung Gar) special attention is given to the development of Qigong though the Tit Sin Kuen form. Below you will find a complete curriculum of the forms being taught in our schools.
level 1
Mui Fah Kuen
- Plum Blossom Fist
Gung Lik Gwan
- Strengthening Pole
Gung Gee Fook Fu Kuen
- Tame the Tiger in an I Shape (see below for more information)
Gung Gee Fook Fu Deui Chaak
- Gung Gee Sparring Set
level 2
Mou San Kuen
- Martial Spirit Set
Pek Kwa Dan Do
- Slashing Single Broadsword
Ng Long Baat Gua Gwan
- Fifth Brother Eight Trigram Pole
Ng Long Baat Gua Gwan Deui Chaak
- 8 Diagram Pole Sparring Set
level 3
Siu Lam Chin Fah Cheong
- Shaolin Thrusting Spear
Fu Hok Seung Ying Kuen
- Tiger and Crane Fist (see below for more information)
level 4
Dai Hang Yut Seong Do
- Big Walking Moon Double Knife
Mui Fah Seung Lung Dou
- Plum Blossom Double Dragon Sabres
Sap Ying Kuen
- Ten Styles Fist
level 5
Yu Gar Dai Par
- Yu Family Big Fork
Cheun Chau Daai Dou
- Spring Autum hellbard
Tit Sin Kuen
- Iron Wire Fist (see below for more information)
Three Treasures of Hung Kuen
Gung Gee Fook Fu Kuen
Gung Gee Fook Fu Kuen is said to be the oldest set of Hung Gar Kuen
which traces its origins to Hung Hei Goon and the Shaolin Temple.
In Hung practice, it is usually the first of the three treasure
sets that a student will learn. It emphasizes stance conditioning,
chi development, solid bridge work and has a depth of applications
waiting for the student to uncover.
The name translates to "cross tiger fist", "subduing
the tiger" or "taming the tiger"
Fu Hok Seung Ying Kuen
Fu Hok Seung Ying Kuen is said to be the signature form of Hung
Gar. This set is so closely identified with the system that many
times, Hung Gar is simply referred to as Tiger Crane Style. The
set is said to have been choreographed by Wong Fei Hong and later
popularized by Lam Sai Wing. In this set, we are introduced to the
ferocity and strength of the tiger coupled with its compliment of
the grace and speed of the crane.
Tit Sin Kuen
This set is the highest form in Hung Gar and takes the student from
the external to the realm of the internal. The form is comprised
solely on the movement of the dragon and includes varied vocal intonations
with precisely controlled breathing and postures to cultivate, circulate
and extend internal energy
Tid Sin Keun was learned by both Wong Kei Ying and his son Wong
Fei Hung. However, they did not learn the famous form from Tid Kiu
Sam but rather from his student, Lam Fook Sing. The story goes that
during one of many of their journeys. Wong Kei Ying and his young
son Wong Fei Hung came across a street performance where a kung
fu master was displaying his skills (this was common at the time).
The name of his master was Lam Fook Sing who was a student of the
famous Tid Kiu Sam. During his demonstration, Lam accidentally injured
a bystander. Wong Kei Ying with his son offered to help and eventually
treated the injuries of the bystander. Lam Fook Sing was very thankful
and in return for their help, he taught the iron wire form to both
father and son.
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